Forward: 2025’s Jewish Highlights

Best Jewish play

Slam Frank 

Ragebait maestro Andrew Fox’s opus, which reimagines Anne Frank as Anna Franco, a pansexual Latinx immigrant from the “barrios of Frankfurt,” is a piece with many moving parts: a social media campaign that shames the Auschwitz-Birkenau Museum for not including chanclas in their mountains of shoes and, yes, also a “real musical,” despite the doubts of many online who assumed it was pure trolling. In fact, it’s a lucid commentary on the state of woke, where identity boxes serve as proxies for character development, and stops just short of being a full referendum on inclusion.

The piece, riffing on nearly every virtue-signalled mega-musical of the last two decades, is at its most knotty when it takes on Jewishness; Fox knows being Jewish doesn’t map neatly to the fashionable formulas of white privilege and oppressor-oppressed. In the end, it is the reimagined attic residents’ existence as Jews that unravels the simple binaries of progressive politics.